Variety.com, Sun., Jun. 6, 2004 1:05pm PT
Sony projects a rival digital future
Company held the presentation
for industryites at the Digital
Cinema Laboratory in
New device uses Sony's
SXRD microchip imaging technology that the company
promises will deliver picture resolution and contrast
ratios at a specification known as "4K," or four times
the pixel count of high-definition displays. Texas
Instruments' system uses the "2K" technology.
"A 4K projector has
long been considered the holy grail of digital cinema," said
John Scarcella, prexy of Sony Electronics'
broadcast and production systems unit. "This is what
the industry has been waiting for."
Texas Instruments
counters that in assessing the appeal of a projector,
contrast ratios and color performance concern the industry
more than resolution.
While Sony wowed many
in attendance with the image quality of its footage,
others questioned glitches that Sony execs promised
would be ironed out by the time another prototype is
shown in October.
Sony plans to begin
building its new projector in January, with the larger
model costing around $80,000, the smaller $60,000.
Sony's entry into
the market comes as the major studios are readying
to release final technology standards through the Digital
Cinema Initiative, which will open the doors for other
manufacturers to begin developing their own projectors
and related equipment.
Industryites continue to bicker
over whether theater owners or the studios should pay
the bill to roll out digital cinema; storing and archiving
issues also remain a concern. Regardless of whether
Sony's or TI's system proves
more popular, growing competition has industry insiders
excited that digital cinema will finally gain a foothold.
Not to be outdone,
Texas Instruments held a presentation last week of
its DLP system. Currently 220 of its systems are being
used worldwide; studios have released roughly 100 movies
digitally over the past four years using Texas Instrument's
technology.
Company execs said
they weren't concerned by Sony's new projector.
"Sony doesn't change anything we're doing," said TI's Doug Darrow. "We have cornered a quality level that's significant for the rollout of digital cinema. It's not about waiting on invention now. It's about dealing with the economic aspects of transitioning to digital cinema."












